This beautiful New York farm house has the most delicious interior. The colours are glorious ; confident, happy, summery, and playful. What's so nice about this whole ensemble is almost the contradiction between the built form and its interior colour scheme. Whilst the architecture (by Sharon Architects) is traditional, the interiors tread a continually wobbling line between the presumed country house aesthetic and a much more vibrant edge. I just love this. I often think that I'd love to have a big old tradtional country house, and then I realise that I'm just not really that way inclined. I could certainly live with classic, subdued interiors and elegant finishes for a time, but I know that deep down, soon enough, it'd all just begin to feel a bit too reserved for me. Well, have I found the answer in Rafe!
This month a very calming and demure interior resultant of another successful collaboration between Robson Rak Architects and interior design firm Made by Cohen. Elwood House is a soothing retreat that draws upon classic interior elements and combines them with a light, contemporary touch to create spaces that feel warm and weightless.
I've come across Wolveridge Architects quite a bit recently, and am almost consistently found to be entirely won-over by their elegantly restrained forms and wonderful materials palette. Indeed, I have to say that it's quite rare that I find myself drawn to a piece of contemporary architecture as a result of a distinct sense of warmth emanating from within (seems, in some ways, a bit of an oxymoron; contemporary and warmth..), but it is true of the works of Wolveridge Architects, and especially so in the case of their Eltham South house.
This month I decided to be really bold and feature ... white! In one way it seems a bit inside out and backward to feature such a colour here - in a realm that is all about rich saturation, depth, and character - and yet in another it seems essential given white's huge popularity and its vast array of subtle undertones that can be close to imperceptible to identify and therefore implement to the untrained eye. So here I feature cool white, if not purely as an exploration of just one side of white's character. I'd say that there are at least several broad categories of white that I could deal with, but starting with this one just seems right on a warm, sunny, breezy October day like today.