2017 was a big year for us, but I am pretty sure 2018 will be bigger…
This month I’m going outside the box and looking at a beautiful house designed by Brillhart Architecture, who are based in Florida in the US. Normally, I like to narrow my focus to Australian and New Zealand architecture but I could not go past this lovely little prototype-type house that is deliciously pared back, vernacular inspired, and perfectly suited to its site and context. It inspires very positive things in me regarding the state of architecture in the world.
There is something quite strange about this house, it seems almost foreign, as though it might have once belonged in northern Europe and somehow floated into NZ, plot of land and all. Perhaps that is part of the reason that I like this house. It has no particularly stunning outlook or rugged landscape to contend with, but instead creates its own quiet, internalised vistas, and does so in a very neat and refined manner.
I’ve always enjoyed the work of Christopher Polly Architect. His practice is so aptly skilled at happily integrating the old and new, comfortably siting crisp black steel and white cladding up against old bricks and stone, and seamlessly refining exterior form to sit comfortably within its neighbouring architectural context.
I’ve come across Wolveridge Architects quite a bit recently, and am almost consistently found to be entirely won-over by their elegantly restrained forms and wonderful materials palette. Indeed, I have to say that it’s quite rare that I find myself drawn to a piece of contemporary architecture as a result of a distinct sense of warmth emanating from within (seems, in some ways, a bit of an oxymoron; contemporary and warmth..), but it is true of the works of Wolveridge Architects, and especially so in the case of their Eltham South house.
I got a bit excited when I saw this lovely little Paddington house by Adrian Amore Architects – for two reasons. Firstly, I have just realised that of all the focus I put on wonderful, contemporary, Australian Architecture, I have not yet featured a house from my home state of NSW – travesty! And then I noticed that AAArchitects are based in Melbourne; their Paddington house simply being a tasty diversion from their usual Melbourne-centric architectural works… I guess the NSW feature will have to come later!
I love this house. The materiality really gets me. And the light. I’m such a sucker for a warm, sunny little space, I can’t help it, it just appeals so naturally to my inner sun lizard. This house, however, has more than mere sunlight. It has a lot. The planning is careful and yet generous, no-where attempting to squeeze in too much, yet never forgetting anything. Within its little footprint, the house offers a genuine sense of space, openness, and repose.
Not that long ago I came across Studio John Irving Architect and was immediately impressed by their understated, yet somehow supremely confident design sensibilities. Waiheke Beach House is a great example of this – at once spacious, engaging, and subtle. Nothing about this space is boastful or showy, and yet I can’t help but feel jealous of the lucky people who get to call it theirs!
I’ve always appreciated the architecture of James Russell for their attention to detail and infinitely fine craftsmanship, as well as for their oft ingenious approach to the contemporary way of living. With an underlying focus on genuinely considering what one does and doesn’t really need from a Queenslander, the firm produce some wonderful examples of the contemporary verandah houses – those which Glenn Murcutt opened the world to back in the early days of world-class Australian Architecture. “A shelter can be as simple as a roof to shield the summer sun or a wall to protect from winter winds. The experiences derived from a building which allows you to interact with the environment, outweigh the occasional discomforts that may occur by not having “complete control” of the environment.” Of course, in designing houses which are at once inside and out, threshold spaces begin to take on a crucial role, and this is where James Russell Architect consistently prove themselves to be considerate, aware, and highly diligent designers.
This Thursday I will be doing a brief talk at The Architecture Foundation’s Annual Sponsor Event. The Architecture Foundation run the Parker Fellowship (previously the Eric Parker Travelling Scholarship, as it was known when I received the prize) and year after year go to the huge and wonderful effort of funding a travelling scholarship for one Newcastle University architecture student who shows great potential, interest and dedication. This award is about seeing, thinking and drawing, and literally changes lives. It is the most beautiful initiative, created in memory of Eric Parker, once a great influence in the Architecture Faculty of Newcastle University.
This April 1st at the Hotel Delany in Cooks Hill, Newcastle I will be doing a design talk to the public, [re]presenting my Final Year project. I will be followed by a bound to be revealing talk by EJE of Newcastle, who collaborated with Lyons Architects to design the winning entry for the proposed Newcastle City University campus. It should be a great night, so feel free to come along!
Hello world! I thought I had better write a post to introduce myself, and welcome you to my blog and website.
I’m really thrilled to finally get this going – properly. Architecture and Interiors are my two greatest passions, and luckily for me, they are also my job! I am a Masters of Architecture graduate from Newcastle, on the NSW coast of Australia. It’s a beautiful place to live, an even better place to study, and somewhere that is interestingly on the cusp of opportunity. The city is changing, and yet its industrial past heavily informs its character within the Australian context. For this reason, I think it’s a fabulous place to be a designer; people are aware of the values of this side of culture, excited to welcome intelligent thought and creation into the city, and happy that they [finally] have access to some of the best design talent, which might have previously been kept for Newcastle’s more dominant and powerful brother (sister?) of the South.