When I think of summer I think of sunshine and greenery. I think of warm afternoons lazing on freshly cut green grass under the cool, dappled shade of the trees. I picture looking up through the bright green of leaves made translucent by the intensity of the sunlight toward the stark and endless blue sky. This green of these summer days is so inherently calming, invigorating and revitalising – there’s not much to compare to it.
This month I can’t go past this colour. Winter is coming and I am longing for rich, sumptuous, dark rooms that have the ability to somehow both embody and yet defy the blustery, wintery cold. It’s the complexity and depth of this colour that makes it work so well in this way. While pure dark blues can feel cold and dark greens a little stifled and old fashioned, deep blue-greens are just perfect. The green edge warms them, making them feel cosy and enveloping, whilst the blue undertones lift them to a certain level of elegance. For this reason, teal is a much more flexible colour than either of its parts alone. It can sway between coastal, country, bohemian, or Parisian-chic. It has the ability to work within many spaces of all sorts of influences.
I’m not sure why it’s taken me quite so long to feature this colour; it is one of my personal favourites (you might recongnise it on this website!) and a wonderfully versatile shade. Eau de Nil is inherently restful and calming, evocative of the seaside, pristine springtime flowers, and fresh morning dew. It works with so many varying interior styles precisely because of this broad reference base. And despite its beautiful watery blue-green lustre, it really is almost a neutral, and so can sit comfortably as a backdrop to many interior settings. Furthermore, Eau de Nil is ractually more of a colour palette than an individual hue – ranging from fresh greens to watery blues – and can therefore be applied in any one of its incarnations as suited to your space.
I am so excited to begin the Colour of the Month series! For the first few editions (at least) I’m going to go with colours from Le Corbusier’s Polychromie architectural, purely because it contains the most fabulous and reliably delicious range of colours. All were deveolped by Le Corbusier in the mid twentieth century after [30!] years of testing and careful consideration. I have very closely translated these colours into actual paint colours by Resene so that you can lather your walls with confidence.