This month has been cold. I don’t know about you, but when the weather gets cold I just want to surround myself in rich colours; the thought of a white on white house makes me shiver (with cold, discontent, restlessness … etc.). Having said that, I think there are certain rooms that suit being wintery and snug all year, and others that work as lovely crisp, clarified spaces even in the cold. Part of this relates to the room’s use, and the other part relates to its aspect. A bright, white kitchen flooded in winter sun works. A deep, dark tv room tucked away from the blazing summer heat is a complete retreat. I am definitely one for colour eccentricity, and I think a house in many colours can be just as coherent as one that shuns them all. The most important thing is to make each colour suit its room and function, and after that, anything goes.
This month I can’t go past this colour. Winter is coming and I am longing for rich, sumptuous, dark rooms that have the ability to somehow both embody and yet defy the blustery, wintery cold. It’s the complexity and depth of this colour that makes it work so well in this way. While pure dark blues can feel cold and dark greens a little stifled and old fashioned, deep blue-greens are just perfect. The green edge warms them, making them feel cosy and enveloping, whilst the blue undertones lift them to a certain level of elegance. For this reason, teal is a much more flexible colour than either of its parts alone. It can sway between coastal, country, bohemian, or Parisian-chic. It has the ability to work within many spaces of all sorts of influences.
Donkey Brown is a reasonably loose shade – meaning that you can use it a bit lighter, a bit darker, a bit greyer, a bit more saturated, or as a perfectly medium tone depending on your space. I used a classic medium tone for my lounge room, but one with quite a lot of brown in it. I tried the more grey versions and they just didn’t give me that unctuous feeling I was after. Below are a few examples of colours worth experimenting with, and how they look once luxuriously lathered over walls.
This month, because I can’t decide on one (and because I just came across the most amazing range of paints by Marston & Langinger) I’ve decided to feature a collection of colours.
This month I decided to be really bold and feature … white! In one way it seems a bit inside out and backward to feature such a colour here – in a realm that is all about rich saturation, depth, and character – and yet in another it seems essential given white’s huge popularity and its vast array of subtle undertones that can be close to imperceptible to identify and therefore implement to the untrained eye. So here I feature cool white, if not purely as an exploration of just one side of white’s character. I’d say that there are at least several broad categories of white that I could deal with, but starting with this one just seems right on a warm, sunny, breezy October day like today.
I love this house. The materiality really gets me. And the light. I’m such a sucker for a warm, sunny little space, I can’t help it, it just appeals so naturally to my inner sun lizard. This house, however, has more than mere sunlight. It has a lot. The planning is careful and yet generous, no-where attempting to squeeze in too much, yet never forgetting anything. Within its little footprint, the house offers a genuine sense of space, openness, and repose.
I’m not sure why it’s taken me quite so long to feature this colour; it is one of my personal favourites (you might recongnise it on this website!) and a wonderfully versatile shade. Eau de Nil is inherently restful and calming, evocative of the seaside, pristine springtime flowers, and fresh morning dew. It works with so many varying interior styles precisely because of this broad reference base. And despite its beautiful watery blue-green lustre, it really is almost a neutral, and so can sit comfortably as a backdrop to many interior settings. Furthermore, Eau de Nil is ractually more of a colour palette than an individual hue – ranging from fresh greens to watery blues – and can therefore be applied in any one of its incarnations as suited to your space.
This month’s room of the week is the upper landing and hall of John B Murray’s Hudson Residence. This hall has an inherently subtle nature, relying on natural materials and views to the garden to enliven and decorate the space. The dappled light cast in shadows upon the floor describes the passing of the day, and in a more historical sense, the passage of time is conveyed by the aged timber furnishings within.