I’m not sure why it’s taken me quite so long to feature this colour; it is one of my personal favourites (you might recongnise it on this website!) and a wonderfully versatile shade. Eau de Nil is inherently restful and calming, evocative of the seaside, pristine springtime flowers, and fresh morning dew. It works with so many varying interior styles precisely because of this broad reference base. And despite its beautiful watery blue-green lustre, it really is almost a neutral, and so can sit comfortably as a backdrop to many interior settings. Furthermore, Eau de Nil is ractually more of a colour palette than an individual hue – ranging from fresh greens to watery blues – and can therefore be applied in any one of its incarnations as suited to your space.
This Thursday I will be doing a brief talk at The Architecture Foundation’s Annual Sponsor Event. The Architecture Foundation run the Parker Fellowship (previously the Eric Parker Travelling Scholarship, as it was known when I received the prize) and year after year go to the huge and wonderful effort of funding a travelling scholarship for one Newcastle University architecture student who shows great potential, interest and dedication. This award is about seeing, thinking and drawing, and literally changes lives. It is the most beautiful initiative, created in memory of Eric Parker, once a great influence in the Architecture Faculty of Newcastle University.
This month I have the pleasure of exploring the many and varied effects of Le Corbusier’s Ombre Naturelle. It is an immense, deep grey with warm undertones.
Ombre Naturelle embodies several characters, and is therefore an amazingly flexible colour choice. By it’s nature, it exudes opulence, and in formal living areas will provide a fabulous sense of old world sophistication. Along side crisp whites, neat geometric forms and modernist fittings it shifts to exuding confident masculinity. Yet up against rustic elements it begins to look more natural, evoking memories of Scandinavian woodlands, at once wild, cosy and crisp.
I am so excited to begin the Colour of the Month series! For the first few editions (at least) I’m going to go with colours from Le Corbusier’s Polychromie architectural, purely because it contains the most fabulous and reliably delicious range of colours. All were deveolped by Le Corbusier in the mid twentieth century after [30!] years of testing and careful consideration. I have very closely translated these colours into actual paint colours by Resene so that you can lather your walls with confidence.